Saturday, 25 April 2009

Summary Of My Experience @ TwoFour




Whilst I was at TwoFour I felt I was discriminated against being dyslexic I didn’t feel on top of the world at the end of the week, as the entry level tasks I was given at TwoFour will always reflect badly on any dyslexic. Consequently I felt I learnt failure!

 

Work environments can be very stressful to those who are not familiar  with a new location and for whom there is no guidance as to what is expected of them. This can be a disconcerting experience that can lead to illness. An example of this that is recognised is ‘freshers-flu’. It is all to easy for those who have become comfortable in their familiar working environment to overlook the effect that there complacency can have.

 

 

I felt that I was failing in my own eyes as well as in the expectataions of the staff at TwoFour who saw me taking a long time to achieve anything and judged that I was not capable of anything else. I did not get the opportunity to shadow other people and experience other aspects of the work.

 

 

Endemal structured the time spent there so even though one was in a different function each day, one was left in no doubt of the expectations upon you. TwoFour however has no such planning and is in danger of being accused of a narrow exploitation of cheep labour to cover only a task that the paid staff would prefer not to see themselves doing. Maybe there is some kind of cultural hierarchy that they see themselves above those who carry out less creative tasks that are still essential to bringing the product to the screen. Snobbery and elitism. In their conceit they fail to recognise that despite the small number of quality media jobs available, they still must work to attract quality staff with motivation, imagination and talent. TwoFour is in danger of weeding out the creative individuals with a mechanism that favours those who only blindly go through the motions.

 

 Link:

www.twofour.co.uk 

Advice


-                you’ve got to be passionate.

-                You cant have any other commitments (e.g. family)

-                Their company is not interested in you having a life, they want to be in control. Sometimes you cant even plan your evening, because they may ask you to stay on late that day.

-                If you like that lifestyle you’ll go far in the industry.

-                You’ve got to be selfish, yet a team player.

 

Three days into my experience here at TwoFour I’ve begun to understand the culture of the company, everyone very wrapped up in what they were doing & not bothering to intregrate you to others unless they thought you were useful.

 

Key skills TwoFour are looking for.

-                Enthusiasm

-                Keen

-                Team Player

-                Good communication skills

-                Sense of humour

-                Competent

-                Can hold your own in conversation.

-                Good grounding e.g. good BA degree in media related subjects.

-                Good Portfolio

-                Keep in contact with contacts.

-                Always positive, no one cares about your moans & groans.

 

Hazel Wallis route in the media industry (it took her 75 applications before she got offered her 1st job as a runner 10 years ago.)

 

Runner 

Junior Researcher 

Seniour Researcher

Assistant Producer

Producer

Director.

Currently producer / director of Gutted for UK Style.


Link

www.twofour.co.uk 

 

Commissoning Process @ Two Four


BBC commission TwoFour to produce 6 ½ hour programmes.

 

 

TwoFour need staff to meet that commission from initial ideas to finished product.

 

 

Someone like like mysef (FREELANCE / SELF EMPLOYED) approach production company (E.G. TWOFOUR)

 

 

Get Contract.

 

 

Contracted to work on production. Contracts last from 3 weeks to 6 months depending on programme commissioned & weather its high budget (starcks school of design) or low budget (hotel inspector)

 

          

 

 Work on the production.

 

 

Production goes to air, depending if it pulls in the viewers, may get re-commissioned again if so  your contract gets renewed.

 

If  contract not renewed, contract expires, or if the production company have more commissions & you were good, may get contract renewed to work on the new commission.

link:

www.twofour.co.uk

 



Editing Gutted



Wednesday 11th March 2009.

 

Sat in an edit suite with an editor & director / producer this morning. We looked at footage & between the editor & the director / producer they decided on what voice over’s & pick ups they still needed to get.

 

Back ground.

 

Gutted is a programme where a family member contacts the show & nominates a loved one to de-clutter their house. The shows experts come in & de-clutter the house; all household items are placed into a removal van. If the contestant can remember what was in the house before the team came along, they are allowed the item back if they it. The rest of the items go off in the removal van to auction where they are sold. At the end of the show they can either take the money from items sold at the auction or they can have their possessions back..

 

Turn Around.

 

Commissioned for Uk style (part of the BBC conglomerate) Gutted has a 12 day turn around from commission to distribution. Today the team are currently at day 5 going through the footage looking for pick-ups & voice over’s they still need to get. Between now & day 9 they still need to 1/. Finess the script, 2/. Picture up, 3/. Cut the footage to time. Day 9 they intend to show it to TwoFour executive producers & by day 11 show the finished programme to the commissioning editor for final tweaks!

 

Budget.

 

Gutted is a small budget production of about £50,000 from this £50,000 the independent production company (Twofour) take their cut of about 25% leaving the actual production budget in the region £25,000 to make from concept to fruition.


Link

www.twofour.co.uk

 

 

 

 

The Hotel Inspector.

Web Blog 5.

 


I do like my documentaries, The Fogal’s & Starck’s documentories really tapped into my interests. However the documentary “The Hotel Inspector” could not be further away from this! It is an example of the lowest common denominator TV produced on a low budget, I know it is bread & butter for an independent company and as such has a place in the braud sweep of output of a production company but one day of logging was enough for me! If the subject, matter is stimulating, I can concentrate on the task but reviewing material I had little interest in was a hard slog as it was instantly forgettable. 

Link

www.twofour.co.uk

Transcribeing Phillipe Starc School of Design


 

10 people who want to win a position with phillipe starck at his school of design offices in Parris. Each contestant was chosen because of a novelty design they had submitted they ranged from a light bulb noose to a corke screw coffin which burries you standing up. The transcribing was for the first pilot programme & I am looking forward to watching the series. The ideas were really whackey and the designers showed a lot of talent. It was an interesting twist on the apprentice style format.

Link

www.twofour.co.uk

Camera Stores.

Tuesday 10th March 2009.

 

 

Initially I thought I’d find the camera stores boring as cameras & the technical side of them really do not interest me. But I actually found the camera stores very interesting! Ben the camera technician & I discussed all the types of camera used at  TwoFour. These included the Sony PD150’s, which we use in college, Sony Z1’s, & the Sony Z7’s, which are of the new HD Generation.  Ben got a Z7 out as it was booked into the stores & we had a look at its manual settings & discussed the differences between HD cameras & Non HD cameras such as the Sony PD150. Ben certainly knew his stuff! Next Ben showed me how the booking system worked at TwoFour & what the protocol was if all equipment was booked out & someone needed a specific piece of equipment for an imminent shoot. This usually involved calling up other bespoke local hire companies. The booking system at TwoFour is made up of several spreadsheet databases’ cross referenced to each other & current productions in progress.

 

Ben & I also had a look at production base & Mandy.com which are media job based websites. Ben explained abuthis route into the media industry how it was an extrodinary turn of events that lead him into the media industry. When he left school ben did A levels & then an unrelated degree in American Studies, he had alwas had an interest in the though & it was when he had problems finding a job related to his degree that a friend of his mention Mandy.com & how there was an advertisement from TwoFour for a years contract with twofour communications as a researcher, ben applied & went for an interview & got the job. At the end of the years contract unfortantely they didt renew &his future looked uncertain until he spotted avacntcy on the internal jobs board for camera technician for TwoFour Digital, he applied and got the job, he is now one of a few employed people at Twofour.  

Transcribing. Ben Fogal’s South Pole expedition



BackGround.

 

Ben Fogle has teamed up with James Cracknell this time with Ed Coats, a Bristol based doctor, as Team QuinetiQ to take part in the inaugural South Pole Race, for the first in 97 years, since the great Norwegian-British race between Ronald Amundsen and Robert Falcon Scott. The route covered nearly 1000 kilometers, the Fogle team took 19 days to complete the race, coming second overall. Ben suffered hypothermia and frostbite of his nose while he battled temperatures as low as minus 50 degrees. The race was filmed by the BBC for the series, ‘On Thin Ice’ that is due to be aired in 2009. The book publisher Macmillan will publish an account of the pair's adventure in June 2009.


 Task.


I was given the video diary sections of the completed programme to transcribe, At first this was really interesting, Ben Fogal was less introspective and gave an insight into how they felt as they struggled to achieve their goal. James Cracknell learned about himself and how important it is to share fears & worries, during the narrative keeping things to himself let the team down. This resonated with me as I see the reflections of my own experiences, I have also learned that openly expressing my views is a much more constructive way to interact in a team. The actual work was difficult for me, I found the transcribing process very tiring despite being interested in the subject matter. 

Link

www.twofour.co.uk

Logging The Hotel Inspector


 

2:40pm Monday 9th March 2009.

 

Whilst logging been thinking I much prefer live recordings, as in productions in progress like Deal or No Deal. Logging is very much an indivual concentrated activity. My dyslexia / dyspraxia makes this job particularly hard. As sitting  and transcribing notes for long periods of time gives me a bad head ache. With Deal or No Deal I was very much on my feet all the time, which although tiring was great! Because I could burn off all my energy, I was learning in a very much kinaesthetic way & I really enjoyed the social side of the job too. E.g. Audience team, calling up audience members, checking & confirming with other members of staff. Again doing the same process whilst checking audience members into the audience in person. Logging is a very isolated job it’s not sociable which as a character I find hard, as I am a chatterbox!


In conclusion although I am aware a logger is an entry level stage within the media industry I feel I would be much better suited to a runners position for the following reasons.


 

1/.            It’s a very practical job, always on your feet.

2/.            It’s a kinaesthetic role as in you are learning on your feet, which suits my personal            learning style well.

3/.            It’s a very sociable job, which as a character o personally love to socialise.


Link

www.twofour.co.uk

            

First Impressions

Monday 9th March 2009.

I arrived at TwoFour about 9:15am about 45 minutes earlier than required as I was not sure where I was going, although it turns out where I was staying in Plymouth is only 10 minutes away from the studios.

 

Met up with keely Major in the TwoFour foyer, which was a pleasant surprise! Shortly after 9:30am Graham the work experience laison came down & introduced himself. We went over all the legalities of working for the company together, fire exits, health & safety etc.

 

My timetable for the day work is as follows:

 

10am:                        Arrive Welcome tour / HSE induction.

 

10:30am             Introduced / shown how the logging process works.

 

11:00am             Set task of logging (hotel inspectors) 

 

12:45-1:45pm             LUNCH

 

1:45pm – 4pm         logging.

 

Exclusivity My first impressions of TwoFour were a very friendly bunch of people, always happy to answer any questions one may have & went out of their way to help you if you had a querry! Although saying this I did feel a little bit disappointed as my expectations of a rounded insight into the work carried out at TwoFour did not reflect my previous experiences with endemol in Bristol! I believe I was disappointed because I was basing my pre-conceptions of that experience at Endoml. I found the logging task of the job very hard as my next web Blog explains!

Link

www.twofour.co.uk

About TwoFour



Twofour Broadcast supplies programming to all the UK terrestrial channels - BBC, ITV, Channel 4, Five - as well as Sky, LIVING, Discovery and a variety of other digital and international channels. 

The company is known for its wide range of factual entertainment and lifestyle programming. It is currently producing a fifth series of The Hotel Inspector for Five, Are You Smarter Than  A Ten Year Old? for Sky1, Big Chef Takes On Little Chef with Heston Blumenthal for Channel 4 , a second series of Make My Body Younger, which uses high tech graphics to give young party lovers a living autopsy for BBC Three and On Thin Ice, the story of TV presenter Ben Fogle and Olympic medalist James Cracknell’s emotional race to the South Pole. Recent credits include Britain’s Best Drives with Richard Wilson for BBC Four, the award winning The Estate We’re In for BBC ONE, Noel’s Christmas Presents and Noel’s HQ for Sky1 and a follow up to Saving Ed Mitchell for ITV1. Dramas, quizzes and property shows are all in the pipeline.

Twofour has embraced the world of convergent TV producing content for distribution to mobiles and online. It has also developed a very successful advertiser funded programming team and is one of the largest producers of branded programming in the country - working with major brands including Philips, Audi, the British Heart Foundation, Epson and the Home Office.

www.twofourgroup.com


Art Department

This blog is in progress, it will be published soon

Sunday, 19 April 2009

Editing Deal or No Deal.

Web Blog 6

 

Deal or no Deal has a 4 day turn around from hitting the cutting room floor to sitting on chief execs desk at Channel Four,  It is extremely tight deadline achieve “No time for slacking” As Clayton the editor I was working with said.

 

The four days:

 

1/.            Edit two, to two & half days.

2/.            !/2 day editor producer viewing.

3/.            !/2 day to Make changes.

4/.            Goes to executive producers.

5/.            More changes take place.

6/.            1 day goes onto tape.

7/.            Goes to channel 4.

 

 

 

Deal or No Deal is very clever; it is in effect 2 shows.  1 is a very comedic show for the audience all puns intended full of sexual rude innuendo’s, inappropriate to broadcast at 4:15pm in the afternoon.. The other show is completely different, it has a strong story line, it is personal to the player, you at home are involved.

 

Clayton the editor said its “The editors job to make something boring, interesting by any means possible”

 

Whilst shadowing Clayton our 1st job was to sit & watch through the footage taking note of any key points. It is essential through the 1st half of the show (the 1st 5 boxes) to get a feel for the character, looking for good storylines + plots & subs plots perhaps not related to the player, maybe between Noeal & the Banker that can be good strong anchor points throughout the whole show.

 

It is Vital to keep a constant theme going. So in our case it was football, as our player was into his football.

 

Clayton was constantly looking for jokes to keep pace & keep comedy high, an example of this is the pudding joke we cross referenced this back to the bankers sticky toffee joke, then back to pudding gag,  We were very reliant upon jokes, gags & sub plots during our edit, as the show we were editing had a very weak contestant, with a weak storyline. Although a highlight of the game was when IP (the contestant) had to kiss another guy  on the lips for taking out the 1p.

 

The aim of deal or No Deal is to weave everyday boring mundane life into a box opening game.

 

Keys points made whilst editing IP game:

 

1/.            Whilst editing the 1st box of every round leave no cuts, the idea is to ramp the game straight up into flow.

 

2/.            Bantering references back & forth to pudding joke.

 

3/.            Getting IP’s pros / cons , balance comments for deal or no deal.

 

4/.            Cliff hanger sling shot viewer, drag out “I’m not greedy, its been tough NO DEAL!”

 

5/.            Noel “what you got Judith? 10p?” Keep the moment going. (Banker has to think long & hard he’s in trouble) Banker hangs up. A few moments later banker rings back offers 20K.

 

6/.            Nice monologue we keep it going.

 

7/.            “ THANK YOU MR BANKER ……… DEAL!”

 

8/.            Noel now builds up the tension.

 

9/.            The phone again, he gets offered bankers gamble.

 

10/.            More good monologue.. BANKERS GAMBLE………. “No Deal “

 

 

I must say I wasn’t really looking forward to the editing suites, as I don’t

Particularly like editing, but I was pleasantly surprised & had an amazing,

Enjoyable & interesting experience. I have learned a lot about professional editing &

Think it maybe something I might be interested in doing in the future.

 

 Link:

http://www.dealornodeal.co.uk 

.

Audience Team.


Wednesday 4th March

 

If I have gained anything from this work experience it’s the concrete knowledge that I definitely want to be a researcher!

 

Audiece Team (checking in)

 

I am an active person & I found all the running around involved with audience team good for me! Checking the audience in involved. Communicating with the general public, Checking members of the audience clothing for spots, stripes or logo’s, lining the audience members up in height order for seating in accordance with seating plan drawn up by the director for shooting / directing purposes.

 

 

Audience team (office).

 

I really enjoyed working as part of the audience team being based in the office was great experience! Initially I was given the Audience bible to read, to familiarise myself with the job role & of what was expected / required of me in this position. I then sat in on a few phone calls, & was then set to work on my own.

 

For Example:

 

“Hi my name is Kate, I’m calling from Deal or No Deal Audience team, I was just wondering are you still interested in being part of our audience?”

 

We’ve had a few dates come up, they are.”

 

Monday 23rd March 2009.

RX 1&2                   12:00pm Approx End Time 17:30pm

RX 3                        17:00pm Approx End Time 20:30pm

 

Tuesday 24th March 2009.

RX 1 & 2                  08:45am Approx End Time 14:30pm

RX 3                        13:45pm Approx End Time 17:30pm

 

 

Wednesday 25th March 2009.

RX 1 & 2                  08:45am Approx End Time 14:30pm

RX 3                        13:45pm Approx End Time 17:30pm

 

 

Thursday 26th March 2009.

RX 1 & 2                  08:45am Approx End Time 14:30pm

RX 3                        13:45pm Approx End Time 17:30pm

 

 

Friday 27th March 2009.

RX 1 & 2                  08:00am Approx End Time 13:30pm

RX 3                        13:00pm Approx End Time 16:30pm

 


Monday 3oth March 2009.

RX 1&2            12:00pm Approx End Time 17:30pm

RX 3                        17:00pm Approx End Time 20:30pm

 

Tuesday 31st March 2009.

RX 1 & 2            08:45am Approx End Time 14:30pm

RX 3                        13:45pm Approx End Time 17:30pm

 

 

Wednesday 1st April 2009.

RX 1 & 2                 08:45am Approx End Time 14:30pm

RX 3                        13:45pm Approx End Time 17:30pm

 

 

Thursday 2nd April 2009.

RX 1 & 2                 08:45am Approx End Time 14:30pm

RX 3                        13:45pm Approx End Time 17:30pm

 

 

Friday 3rd April 2009.

RX 1 & 2                  08:00am Approx End Time 13:30pm

RX 3                        13:00pm Approx End Time 16:30pm

 

Ask if any of those dates are convient if they are select a date & a time Book audience member(s) in.

 

Points to be made during latter part of call.

 

1/.            

Someone will send you a confirmation pack through the post / email, it will contain maps & directions to studios. Frequently asked questions, & a confidentiality form all in the said party will need to print off & sign.

 

2/.            

Dark clothing must be worn, No stripes, spots or logos.

 

3/.            

Someone will give the said party a courtesy phone call a day before the show to check all can still attend, if you have any problems in the meantime call us.


Link:

http://www.dealornodeal.co.uk 

 

Lighting, Directors Gallery, & Running

Tuesday 3rd March 2009.

 

Lighting.




Prior to the recording the lighting director checks everything is working. The lighting is pre-set & computer controlled, it was my job to go around with the lighting director to make sure all the lights were working from the button on cue at the very beginning of the day. Kevin Sharp the lighting director explained about how he lit the set- ambient lighting, up lighters, & effects. At Endemol they shoot 15 Deal or No Deal show

s a week, it is essential that the lighting is consistent.

 

Gallery.

 

Seven camera shoot.

Camera 1 steady cam,

Cameras 2,3 & 6 hawk heads

Cameras 4 & 5 J86’s

Camera 7 Hand Held.

 

Director was very quick in telling the camera operators what shots to get & when the shot was being used. For Example:

 

2 shot on camera 1 please

Contestant left foreground

Close up box opening on camera 5

Over the shoulder Noel

Camera 6 close up contestant reaction

Camera 5 box opening

Camera 4 animate past contestants & game board

Close up Camera 4 contestant & board

Over the shoulder 3 shot on 5.

 

I don’t think directing is something I could do as there was so much going on. I think I would get confused!

 

 

Gallery / Office Runner.



 

The gallery / office runners job is the lowest if the low, what ever is needed you do, from making coffee to cleaning the presenters toilet. The part of this job is that you are in the gallery observing what is going on & if its quiet you get the chance to have a go at directing. A fantastic experience!


Link:

http://www.dealornodeal.co.uk 

Audience, Camera's & Running

Monday 2nd March 2009.

Web Blog  3.


For the 1st round of filming Sam & I sat in the audience  to get an idea of what the show was about. We watched Anne’s game unfold on the edge of our seats leaving with £9000.

 

After a short break I got to sit with the Camera guys who spent the majority of their time moaning about how someone had messed something up, & how it wasn’t their fault. In the 2min commercial break I got to do some focus pulling for the steady cam, which was interesting, I found it quite informative how the focus puller had written notes on his dial & would place his thumb to the said number(s) before that shot came up.

 

For latter part of the day I shadowed Steve Richmond Studio / floor runner. Under supervision I got to experience continuity & do some of the jobs a runner would be responsible for during recording.

 

During this session I confirmed with the contestant that Donds fact sheet about him was correct, for example Scott, 20 years old, customer service advisor tax & revenue department, Liverpool county council. Fanatic footballer, If he was to win big money he would like his own football sports & fitness company / club.

 

During filming it was my job keep track of the contestant & boxes this is called contestant mapping, this involves ticking off boxes as they are opened cross referencing names to boxes & recording offers as they are made.

 

For Example:

1st Offer            £5000                        No Deal

 

2nd Offer            £6.500                        No Deal

 

3rd Offer            £3000                        No Deal

 

4th Offer            £4000                        No Deal

 

5th Offer            £11,000                      DEAL

 

He played on as if he was still in the game, taking out £500, £10, £1. The 6th offer was then £26,000. So he dealt one offer too soon.


Link:

http://www.dealornodeal.co.uk 

 

Endemol Deal or No Deal.

Web Blog 2 

Monday 2nd March 2009

Introductions.

 


My experience of Endemol began before I even set foot in the deal or no deal studios. they obliviously have a lot of students working with them as they had worked out a schedule which gave me experience of many different departments. They had information about health & safety & PACT guidelines for experience.

 

The schedule made clear what was expected of me and when, from the security guard at the reception to the people in human resources, I felt welcome, included & valued. My questions were answered & my opinion respected.

Link: 

http://www.dealornodeal.co.uk 

 

Deal or No Deal

About Deal or No Deal (DOND)

 

Deal Or No Deal hosted by Noel Edmonds was first broadcast Monday, October 31st 2005. From the outset the show has captured the imagination of the viewing public and has enjoyed increasing popularity ever since. Deal Or No Deal has an ever-growing group of loyal followers that Noel has fondly named the 'Red Box Club'. The show now regularly attracts more than four million viewers.

Every show sees one lucky contestant sit at the pound table in a battle of nerves, courage, risk and reward against the mysterious Banker. Faced with 22 identical sealed boxes ranging from 1p to £250,000, the player carefully picks their way through the rounds hoping to avoid the 'Power Five' (£35,000, £50,000, £75,000, £100,000, £250,000). Each box chosen is pivotal. No one knows what is in the boxes and each game varies wildly. Deal Or No Deal celebrates the individuality of each and every contestant; hence every player has a different game. There is no way of knowing whether or not the player has made the best deal until the final two boxes have been opened. Players must rely on instinct, gut feeling and luck to get them through the game.

All the time the ever watchful, ethereal and ever present Banker plays a psychological game, enticing and tempting the contestant into taking the offer. The Banker has one directive: to buy the players box for as little as possible. The contestant knows that the longer they can keep the big money in play they can force the Banker into increasing his offer. However keeping the big money is not enough against the Banker. Players must demonstrate a steely nerve, courage and intense belief in themselves. Any doubt will see the Banker pounce, they have to play the game with passion and determination and be prepared for the best possible outcome but also the worst.

The show is described as entertainment drama and over the months Deal Or No Deal has developed a massive Deal Or No Deal vocabulary all of its own, from the 'Walk of Wealth' to 'Keep It Low, Keep It Blue'.

Deal Or No Deal is based on a successful format developed in the Netherlands. It was the first country to develop the format with no questions in the show, hence Noel's now famous line, 'A quarter of a million pounds, 22 identical sealed boxes and no questions... except one.' ……. DEAL OR NO DEAL.

Web Addresshttp://www.dealornodeal.co.uk/